{"id":3485,"date":"2019-03-23T18:03:50","date_gmt":"2019-03-23T17:03:50","guid":{"rendered":"http:\/\/www.damienfrancois.com\/?page_id=3485"},"modified":"2024-01-24T19:51:34","modified_gmt":"2024-01-24T18:51:34","slug":"presse","status":"publish","type":"page","link":"https:\/\/www.damienfrancois.com\/?page_id=3485","title":{"rendered":"Presse"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
\"Tendances<\/a><\/figure>\n<\/td>\n
\n

Tendances r\u00e9siduelles<\/h3>\nCatalogue d\u2019exposition Solo
Salles Hedberg \/ Torun
Biot, France. 2023<\/em><\/td>\n<\/tr>\n

\n
\"Biennale<\/figure>\n<\/td>\n
\n

Biennale du verre 2023<\/h3>\nCatalogue d\u2019exposition – 6e Biennale du verre
Mus\u00e9e d\u2019Art et d\u2019Histoire de Colombes, P.14
Paris, France, 2023<\/em><\/td>\n<\/tr>\n

\n
\"Glass<\/figure>\n<\/td>\n
\n

GlassArt2022 – Ad Vitrum \u00c6ternam<\/h3>\nCatalogue d\u2019exposition, P.14
Omnium, Lyon, France, 2022<\/em><\/td>\n<\/tr>\n

\n
\"La<\/figure>\n<\/td>\n
\n

Revue de la C\u00e9ramique et du Verre, n\u00b0240<\/h3>\nArticle, P. 78
\u00ab\u00a040 ans c\u00e9ramistes \/ verriers\u00a0\u00bb<\/a>
France. 2021<\/em><\/td>\n<\/tr>\n

\n
\"Art<\/figure>\n<\/td>\n
\n

Art du verre contemporain<\/h3>\nCatalogue d\u2019exposition, P.16
Exposition \u00ab\u00a0Art du verre contemporain\u00a0\u00bb<\/a>
Maison Gribaldi, Evian, France. 2021<\/em><\/td>\n<\/tr>\n

\n
\"Ateliers<\/a><\/figure>\n<\/td>\n
\n

Ateliers d\u2019Art n\u00b0149<\/h3>\nArticle \u00ab\u00a0La Lune objet C\u00e9leste\u00a0\u00bb, P.20
Editions Ateliers d’Art<\/a>
France. 2020<\/em><\/td>\n<\/tr>\n

\n
\"Glass<\/figure>\n<\/td>\n
\n

Glass is Biotiful 2<\/h3>\nCatalogue d\u2019exposition, P.15
Glass is Biotiful II<\/a>
Salles Hedberg \/ Torun, Biot, France. 2020<\/em><\/td>\n<\/tr>\n

\n
\"Glassart\"<\/a><\/figure>\n<\/td>\n
\n

Glassart 2018, Mati\u00e8re \u00e0 R\u00e9fl\u00e9chir<\/h3>\nCatalogue, P. 11
Galerie Metamorphik<\/a>
Sainte-foy-les-Lyon, France. 2018<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Aujourd\u2019hui et Demain : la jeune garde du verre fran\u00e7ais<\/h3>\nCatalogue, P. 127
Mus\u00e9e\/Centre d’art du Verre<\/a>
Carmaux, France. 2018<\/em><\/td>\n<\/tr>\n

\n
\"\"<\/a><\/figure>\n<\/td>\n
\n

Pens\u00e9e abstraite : Eloge de l’\u00eatre<\/h3>\nEssai, P. 70
Christophe Mottet<\/a>
Chamb\u00e9ry, France. 2017<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Les couleurs du verre : 1900-2006<\/h3>\nCatalogue
Ch\u00e2teau de S\u00e9di\u00e8res, Corr\u00e8ze \/
Mus\u00e9e des arts d\u00e9coratifs de Paris, France. 2016<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Tr\u00e9sors de Sable et de Feu, Verre et cristal, XIVe-XXIe si\u00e8cle<\/h3>\nArticle
Mus\u00e9e des arts d\u00e9coratifs<\/a>
Paris, France. 2015<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Le banquet<\/h3>\nArticle, P. 83
L\u2019atelier comme laboratoire : le regard de Thomas Golsenne,
professeur d’histoire des arts visuels \u00e0 la Villa Arson de Nice
Grand Palais
Paris, France. 2015<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Revue de la C\u00e9ramique et du Verre, n\u00b0201<\/h3>\nArticle, P. 44
\u00ab\u00a0Faiseur d’art\u00a0\u00bb : portrait d’artiste, Thierry de Beaumont
France. 2015<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Neues Glas-New Glass, n\u00b001\/2015<\/h3>\nArticle, P. 8
\u00ab\u00a0I love Nick Cave\u00a0\u00bb : portrait d’artiste
Germany. 2015<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Verre & Cr\u00e9ation, n\u00b077<\/h3>\nArticle, P. 5
\u00ab\u00a0L’\u00e9chantillonneur\u00a0\u00bb : portrait d’artiste
Sars-Poteries, France. 2014<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

European Glass Experience<\/h3>\nCatalogue, P. 89
EGE, Exhibition tour<\/a>
Finland, Spain, Portugal, Italy. 2014<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

The Coburg Glaspreis<\/h3>\nCatalogue
Contemporary Glass
Coburg, Germany. 2014<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Glass Quarterly #138<\/h3>\nMagazine
\u00ab\u00a0(Im)perfectionists\u00a0\u00bb, Urban Glass Publishing
Brooklyn, NY, USA. 2014<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Games of Matter : Damien Fran\u00e7ois exhibition<\/h3>\nCatalogue
Glasmuseet Ebeltoft<\/a>
Ebeltoft, Denmark. 2014<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Glass is more!<\/h3>\nArticle
Contemporary French Studio Glass, from the 1990\u2019s to 2014
Netherlands. 2014<\/em><\/td>\n<\/tr>\n

\n
<\/figure>\n<\/td>\n
\n

New glass Review #34<\/h3>\nArticle
Corning Museum of glass<\/a>
Corning, NY, USA. 2012<\/em><\/td>\n<\/tr>\n

\n
<\/a><\/figure>\n<\/td>\n
\n

Talente<\/h3>\nCatalogue
Premier Prix, Exposition Talente 2012
Munich, Allemagne. 2012<\/em><\/td>\n<\/tr>\n

\n
<\/figure>\n<\/td>\n
\n

New glass Review #33<\/h3>\nArticle
Corning Museum of glass<\/a>
Corning, NY, USA. 2012<\/em><\/td>\n<\/tr>\n

\n
<\/figure>\n<\/td>\n
\n

New glass Review #32<\/h3>\nArticle
Corning Museum of glass<\/a>
Corning, NY, USA. 2011<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
<\/figure>\n","protected":false},"excerpt":{"rendered":"

Tendances r\u00e9siduelles Catalogue d\u2019exposition SoloSalles Hedberg \/ TorunBiot, France. 2023 Biennale du verre 2023 Catalogue d\u2019exposition – 6e Biennale du verreMus\u00e9e d\u2019Art et d\u2019Histoire de Colombes, P.14Paris, France, 2023 GlassArt2022 – Ad Vitrum \u00c6ternam Catalogue d\u2019exposition, P.14Omnium, Lyon, France, 2022 Revue de la C\u00e9ramique et du Verre, n\u00b0240 Article, P. 78\u00ab\u00a040 ans c\u00e9ramistes \/ verriers\u00a0\u00bbFrance. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=\/wp\/v2\/pages\/3485"}],"collection":[{"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3485"}],"version-history":[{"count":89,"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=\/wp\/v2\/pages\/3485\/revisions"}],"predecessor-version":[{"id":4682,"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=\/wp\/v2\/pages\/3485\/revisions\/4682"}],"wp:attachment":[{"href":"https:\/\/www.damienfrancois.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}